Since 1984

Koos Kombuis AKA André Letoit
- Vêr van die Ou Kalahari

Shifty Records in partnership with Permanent Record are proud to announce André Letoit's [AKA Koos Kombuis] 1987 debut album "Vêr van die Ou Kalahari" on vinyl for the first time.

Vêr van die Ou Kalahari is the debut full-length by South African artist Koos Kombuis (released as André Letoit).

The album was recorded live onto two-track at Shifty Studios in May '87 and initially only released on cassette tape (and also immediately branded as "undesirable" by the then South African censorship board), three decades later the album saw its inaugural issue on black and also coloured (blue and white) wax.

The vinyl record was done in partnership with Permanent Record and was available in two colours – a classic black and a custom white & blue edition. The package also includes a printed lyric inner sleeve and was exclusively available through Permanent Record.


"She Can't Love" by Matthew van der Want featuring Louis Mhlanga on lead guitar. From Matthew's debut album "Turn On You", released by Shifty Records in 1996.


Shifty is proud to have worked with the following artists.


SAMA: Kerkorrel vereer

SAMA: Kerkorrel vereer

Johannes Kerkorrel word vanjaar met ’n Suid-Afrikaanse Musiekprys (Sama) bekroon vir sy lewensbydrae tot die land se musiekbedryf wanneer dié pryse die naweek van 10 en 11 Mei by Sun City oorhandig word. Reuben Grobler, Kerkorrel se seun, sal daar wees om die prys...

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Floating to the top

Floating to the top

by Matthew van der Want: Opinion | Source: Just Jinger, who supported U2 in Cape Town, recently spent some time in from Canada and New York, where they showcased their talent to some major label A&R people....

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Our latest documentary PLUCK recently  took first place honors for BEST DOCUMENTARY at the London Independent Film Festival 2019.


“There are occasions when a movie is so polarising in its’ creation and its’ subject matter that the very thing that makes it unique and deserving of a release also makes it the one thing that
disallows it a fair voice in the cinema landscape. Such a film is PLUCK, … It is the sort of documentary that should be seen by as many people as possible – perfect contextualisation and a serious statement about a history and relevance that deserves an outlet in any shape or form.”
John Higgins –

A documentary using a chronology of the best of Nando’s edgy marketing campaigns to tell a whimsical, alternative socio-political history of South Africa.

A film not really about the chicken.

Nando’s has lived through interesting times. Born in a particularly hectic time in SA history a few months post the 1986-87 State of Emergency, it became a toddler through the big changes of the early 1990’s, a precocious kid into the rainbow years, an engaged teenager into the naughties and an amiable cynic as the gravy train pulled into town – all this without loosing its optimism and wicked sense of humour. Archive footage, stills or cartoons contemporary to each campaign key the viewer into the vibe of the times, with the story being told by the relevant Nando’s personnel, independent experts and the industry creatives that came up with and guided the ideas.

Apart from the campaigns that feature political, cultural, or topical issues, Pluck also looks at how Nando’s has not shied away from some subjects that other brands would normally avoid like the plague – namely religion, sex and flirting with bad taste for effect. And occasionally they have got it wrong. Very!

This is arguably the only independent documentary ever made about one brand’s advertising. There’s a good reason for that – through humour and often at the expense of political correctness, these campaigns have managed to convey a sense of South Africans’ indomitable spirit and the uniqueness of their worldview.

A film by Lloyd Ross & Joëlle Chesselet | 2017 |
South Africa | 75 min